Brookside Baby
Friday, February 3, 2012
Because 88 is a good age to die
"Of course, life crosses politics," she said in an interview with The New York Times after winning the Nobel in 1996. "But my poems are strictly not political. They are more about people and life."--quote from news article "Wislawa Szymborska, Nobel-Winning Polish Poet, Dies at 88"
this is life & people as i know it, ms szymborska
trying to read or write through the shrill
volume of "willing willie", an evening
program, where the toothless
the thin the overweight the lame
the halt the innocent catapult
their bodies & voices for a
few thousand pesos or more,
dignity be damned
transacting business through SMS
because as you may not know it
many writers in my country
have mastered the art of compromise
they are classified as "vendors" in
some official contracts,
short of calling them hacks
and/or intellectual prostitutes
to fill in the spaces between
the ears of the powerful
the ears of the entrenched,
whether high low middle level,
just so the rapid flapping of bats
in their mental belfry
are not within hearing range
beyond that mercantile existence,
the other way is clandestine propaganda,
an activity for which you face the risk
of landing in a dank cell
in some godforsaken island
sharing space & pallet of a bed
with petty thieves swindlers illegal gamblers
integrity in my country
& years of any kind of commitment
to art to craft to what our own szymborskas
call the expression of remembered pain
are rewarded with the complex
labyrinths of red tape
one cannot even march up
to a bank manager & claim integrity or
recommendations on the goodness or
even credibility of your person
as collateral for a loan
in my country, without an ID
(a passport, preferably,
with your complete name
--first second middle married name--
or an affidavit of inconsistency if you use
two three names)
you don't exist in this world
you are left holding a check
not worth the half bucket
of blood you sweated
while you labored
over words words words
or restringing another's
words words words
gentleness has no place in our country,
kind lady
although ours has been compared to poland
& our people power revolt
inspired your velvet revolution,
the true poets writers in general
are better off shipped
to some gulag
that way their gentleness is totally
dissolved
it is allowed to dissipate
with decades
of cold indifference from
those who matter in their lives
resentment at,
rebellion against authority
will be stamped out
if they are not yet dead by then
they can be rehabilitated
into efficient cogs in
the government's propaganda machine
professors fighting tooth & nail over sinecures
or just functional doormats
for others to
step on & wipe their shoes with
good journey to you
you who has just been welcomed in paradise
where the "un-photogenic poets"
need no film to commemorate
their hellish earthly lives.
--Babeth Lolarga
sources: http://www.nytimes.com/2012/02/02/books/wislawa-szymborska-nobel-winning-polish-poet-dies-at-88.html?_r=1&emc=tnt&tntemail1=y
http://payingattentiontothesky.com/2010/11/18/three-poems-by-wislawa-szymborska/
Thursday, February 2, 2012
When you know the way to Santa Fe
Ceding this space again to friend PAT because of this spot of good news: the latest acclaim Cecile Licad reaped for her country. That's nothing new, of course, because she is nothing less than great wherever she performs.
But the delight was her new hairdo, or shall another friend Amadis term it a hair don't? It's a departure from what her audience, family and admirers are used to, a radical cut. Told Pablo she looks youngish, he said she looks 16 again.
She will win a new audience, and this audience will crave for nothing less than great playing, when she returns here for her one-night evening with fellow great dames Lisa Macuja-Elizalde and Lea Salonga, and a series of provincial engagements. The latter concerts are actually more exciting to watch--the audience is quite sincere and spontaneous in their appreciation, even from the first movement alone.
And there's another fan like us out there, who now doubles as correspondent. Doc Lara Halili has followed a number of Cecile's performances all over the States.
So apres vous then, Pabs.
______________________
Licad triumphs anew in Santa Fe
By Pablo A. Tariman
Pianist Cecile Licad -- playing as soloist of the Santa Fe Pro Musica Chamber Orchestra under Thomas O’Connor-- practically reprised her Moscow triumph when she played Brahms Piano Concerto No. 1 in D Minor, Op. 15 at the 820-seater Lensic Performing Arts Center in this city to a rousing standing ovation last January 27.
It is the same piano concerto that got the Filipino pianist her first standing ovation in Moscow in April last year with the Russian State Orchestra.
The following day (January 28), she figured in a solo recital and got the same standing ovation from an audience earlier entranced by her Brahms concerto.
One of the few Filipinos in a predominantly American audience was Dr. Lara Halili, a certified Licad fan who filed a 6-day leave of absence from her hospital work to watch Cecile Licad.
“One of the rewards of leaving your work to watch a great Filipino pianist perform in a foreign land is that you are virtual witness to the fact that she is well-loved by audiences not just in her native country,” said Lara who couldn’t believe the awesome audience response.
Cecile Licad performing at the Lensic Performing Arts Center in Santa Fe, New Mexico.
Licad admitted to her Filipino fan the Brahms concerto is one of the toughest in the repertoire. “Playing that is like climbing a mountain but you are instantly rewarded because the music is so profound,” she told Lara who watched the Licad concerts for two successive nights.
Lara noted that she could literally hear a pin drop in the concerto’s second movement with a super attentive audience stifling their coughing for that rare Licad magic.
“It was a great night,” added Lara. “I was particularly moved to tears by the concerto’s second movement.”
Cecile Licad with conductor Thomas O'Connor acknowledging awesome audience response.
Licad is headed for the Philippines next month before her Boston engagement to perform with Philippine Broadway star Lea Salonga and prima ballerina Lisa Macuja Elizalde with conductor Gerard Salonga and the Filharmonika orchestra on March 17, 2012 at the CCP main theater.
Meanwhile, the two latest CDs of Licad with celebrated German cellist Alban Gerhardt – Casals Encores and Faure cello Sonatas -- continue to receive rave notices.
British music Andrew Clements wrote that Alban Gerhardt's account of Fauré's two cello sonatas, both late works, repay careful listening. “Like the works themselves, his playing and that of the pianist Cecile Licad is full of subtleties, the half-tones and inflections that make the chamber music of Fauré's final decade so elusive and fragile. Nothing here is forced or made to conform; whether it's the urgent outpourings of the first movement of the D minor Sonata Op 109 or the utterly different slow movement of the G minor Op 117, the pacing seems perfectly natural, the colouring distinctive.”
Another British music critic, Jeoffrey Norris, wrote : “A gorgeous performance of the well-known Élégie comes as the first of the five ‘encores’ on this magnificent disc devoted for the most part to Fauré’s two cello sonatas, the D minor, composed in 1917, and the G minor from 1921. The passion and sorrowful rapture that Alban Gerhardt and Cecile Licad bring to the Élégie are complemented by the yearning ardour of a Romance, the virtuoso flutter and bustle of Papillon, the lyrical sweep of the Sérénade and the delicate lilt of the Sicilienne, which is also familiar in orchestral guise.
“This disc follows on from various other, highly distinguished recordings that Gerhardt has made for Hyperion of repertoire ranging from Alkan to Schnittke and Shostakovich, from Chopin to Prokofiev and Reger, and, most recently, of encores made famous by Pablo Casals (CDA67831), on which Gerhardt also teamed up with Licad. They make a particularly fine duo here, working emotionally in unison, sensing the music’s contours with like mind, breathing as one.”
Cecile Licad performs with Philippine Broadway star Lea Salonga and Filipino prima ballerina Lisa Macuja Elizalde on Saturday, March 17, at the CCP Main Theater.
Licad will have two solo performances in the provinces on March 22 at the Holy Angel University in Angeles City and March 27 in Cebu City. Her Pampanga and Cebu program features: Chopin’s Polonaise-Fantaisie in A-flat major, Op. 61; Three Mazurkas op.56;. Andante spianato et grande polonaise brillante in E-flat major, Op. 22 and Liszt’s .Miserere du "Trovatore" de Verdi – Paraphrase de Concert and Après une Lecture de Dante: Fantasia quasi Sonata Call (02) 7484152 or 09065104270.
All photos by Dr. Lara Halili
Reposted with author's permission from Munting Nayon News Magazine
But the delight was her new hairdo, or shall another friend Amadis term it a hair don't? It's a departure from what her audience, family and admirers are used to, a radical cut. Told Pablo she looks youngish, he said she looks 16 again.
She will win a new audience, and this audience will crave for nothing less than great playing, when she returns here for her one-night evening with fellow great dames Lisa Macuja-Elizalde and Lea Salonga, and a series of provincial engagements. The latter concerts are actually more exciting to watch--the audience is quite sincere and spontaneous in their appreciation, even from the first movement alone.
And there's another fan like us out there, who now doubles as correspondent. Doc Lara Halili has followed a number of Cecile's performances all over the States.
So apres vous then, Pabs.
______________________
Licad triumphs anew in Santa Fe
By Pablo A. Tariman
Pianist Cecile Licad -- playing as soloist of the Santa Fe Pro Musica Chamber Orchestra under Thomas O’Connor-- practically reprised her Moscow triumph when she played Brahms Piano Concerto No. 1 in D Minor, Op. 15 at the 820-seater Lensic Performing Arts Center in this city to a rousing standing ovation last January 27.
It is the same piano concerto that got the Filipino pianist her first standing ovation in Moscow in April last year with the Russian State Orchestra.
The following day (January 28), she figured in a solo recital and got the same standing ovation from an audience earlier entranced by her Brahms concerto.
One of the few Filipinos in a predominantly American audience was Dr. Lara Halili, a certified Licad fan who filed a 6-day leave of absence from her hospital work to watch Cecile Licad.
“One of the rewards of leaving your work to watch a great Filipino pianist perform in a foreign land is that you are virtual witness to the fact that she is well-loved by audiences not just in her native country,” said Lara who couldn’t believe the awesome audience response.
Cecile Licad performing at the Lensic Performing Arts Center in Santa Fe, New Mexico.
Licad admitted to her Filipino fan the Brahms concerto is one of the toughest in the repertoire. “Playing that is like climbing a mountain but you are instantly rewarded because the music is so profound,” she told Lara who watched the Licad concerts for two successive nights.
Lara noted that she could literally hear a pin drop in the concerto’s second movement with a super attentive audience stifling their coughing for that rare Licad magic.
“It was a great night,” added Lara. “I was particularly moved to tears by the concerto’s second movement.”
Cecile Licad with conductor Thomas O'Connor acknowledging awesome audience response.
Licad is headed for the Philippines next month before her Boston engagement to perform with Philippine Broadway star Lea Salonga and prima ballerina Lisa Macuja Elizalde with conductor Gerard Salonga and the Filharmonika orchestra on March 17, 2012 at the CCP main theater.
Meanwhile, the two latest CDs of Licad with celebrated German cellist Alban Gerhardt – Casals Encores and Faure cello Sonatas -- continue to receive rave notices.
British music Andrew Clements wrote that Alban Gerhardt's account of Fauré's two cello sonatas, both late works, repay careful listening. “Like the works themselves, his playing and that of the pianist Cecile Licad is full of subtleties, the half-tones and inflections that make the chamber music of Fauré's final decade so elusive and fragile. Nothing here is forced or made to conform; whether it's the urgent outpourings of the first movement of the D minor Sonata Op 109 or the utterly different slow movement of the G minor Op 117, the pacing seems perfectly natural, the colouring distinctive.”
Another British music critic, Jeoffrey Norris, wrote : “A gorgeous performance of the well-known Élégie comes as the first of the five ‘encores’ on this magnificent disc devoted for the most part to Fauré’s two cello sonatas, the D minor, composed in 1917, and the G minor from 1921. The passion and sorrowful rapture that Alban Gerhardt and Cecile Licad bring to the Élégie are complemented by the yearning ardour of a Romance, the virtuoso flutter and bustle of Papillon, the lyrical sweep of the Sérénade and the delicate lilt of the Sicilienne, which is also familiar in orchestral guise.
“This disc follows on from various other, highly distinguished recordings that Gerhardt has made for Hyperion of repertoire ranging from Alkan to Schnittke and Shostakovich, from Chopin to Prokofiev and Reger, and, most recently, of encores made famous by Pablo Casals (CDA67831), on which Gerhardt also teamed up with Licad. They make a particularly fine duo here, working emotionally in unison, sensing the music’s contours with like mind, breathing as one.”
Cecile Licad performs with Philippine Broadway star Lea Salonga and Filipino prima ballerina Lisa Macuja Elizalde on Saturday, March 17, at the CCP Main Theater.
Licad will have two solo performances in the provinces on March 22 at the Holy Angel University in Angeles City and March 27 in Cebu City. Her Pampanga and Cebu program features: Chopin’s Polonaise-Fantaisie in A-flat major, Op. 61; Three Mazurkas op.56;. Andante spianato et grande polonaise brillante in E-flat major, Op. 22 and Liszt’s .Miserere du "Trovatore" de Verdi – Paraphrase de Concert and Après une Lecture de Dante: Fantasia quasi Sonata Call (02) 7484152 or 09065104270.
All photos by Dr. Lara Halili
Reposted with author's permission from Munting Nayon News Magazine
Wednesday, February 1, 2012
Tuesday, January 31, 2012
The Pope, the Rabbi and one sleepy worker
I know you get forwarded emails, too: inspirational images and messages, threatening prayer chain letters (if you don't forward to 10 people in 10 minutes, etc.), special offers for all and sundry, including marked-down penis extenders. These usually go to the spam file for examination on a pleasant day when deadlines have been met and time is long.
Meanwhile, I enjoy answering correspondence, whether instantaneous like email or handwritten postal mail. My replies or inquiries are written in a fashion with all words spelled out as much as possible, even if I don't press the "shift" key to capitalize what has to be set in caps. My second sister shares my sentiments on this matter. She also insists at all times that abbreviations be limited to SMS/texting only. Otherwise, spell out a word like "thanks" in your hurriedly written email note.
This afternoon, while taking a break from a manuscript that's giving me nosebleed, I opened my inbox and found this. Nothing really like a loud guffaw to diminish sleepiness at this time of day. Whoever wrote this apocryphal tale deserves half my boiled banana (sorry, no apples in the fruit basket).
***
The Pope and the Rabbi
Several centuries ago, the Pope decreed that all the Jews had to convert to Catholicism or leave Italy. There was a huge outcry from the Jewish community, so the Pope offered a deal. He'd have a religious debate with the leader of the Jewish community. If the Jews won, they could stay in Italy; if the Pope won, they'd have to convert or leave.
The Jewish people met and picked an aged and wise Rabbi to represent them in the debate. However, as the Rabbi spoke no Italian and the Pope spoke no Yiddish, they agreed that it would be a "silent" debate. On the chosen day, the Pope and Rabbi sat opposite each other.
The Pope raised his hand and showed three fingers. The Rabbi looked back and raised one finger.
Next, the Pope waved his finger around his head. The Rabbi pointed to the ground where he sat.
The Pope brought out a communion wafer and a chalice of wine. The Rabbi pulled out an apple.
With that, the Pope stood up and declared himself beaten and said that the Rabbi was too clever. The Jews could stay in Italy.
Later, the cardinals met with the Pope and asked him what had happened.
The Pope said, "First, I held up three fingers to represent the Trinity. He responded by holding up a single finger to remind me there is still only one God common to both our beliefs.
"Then, I waved my finger around my head to show him that God was all around us. He responded by pointing to the ground to show that God was also right here with us.
"I pulled out the wine and wafer to show that God absolves us of all our sins. He pulled out an apple to remind me of the original sin. He bested me at every move and I could not continue."
Meanwhile, the Jewish community gathered to ask the Rabbi how he'd won.
"I haven't a clue," the Rabbi said. "First, he told me that we had three days to get out of Italy, so I gave him the finger.
"Then he told me that the whole country would be cleared of Jews, and I told him that we were staying right here."
"And then what?" asked a woman.
"Who knows?" said the Rabbi. "He took out his lunch so I took out mine."
Meanwhile, I enjoy answering correspondence, whether instantaneous like email or handwritten postal mail. My replies or inquiries are written in a fashion with all words spelled out as much as possible, even if I don't press the "shift" key to capitalize what has to be set in caps. My second sister shares my sentiments on this matter. She also insists at all times that abbreviations be limited to SMS/texting only. Otherwise, spell out a word like "thanks" in your hurriedly written email note.
This afternoon, while taking a break from a manuscript that's giving me nosebleed, I opened my inbox and found this. Nothing really like a loud guffaw to diminish sleepiness at this time of day. Whoever wrote this apocryphal tale deserves half my boiled banana (sorry, no apples in the fruit basket).
***
The Pope and the Rabbi
Several centuries ago, the Pope decreed that all the Jews had to convert to Catholicism or leave Italy. There was a huge outcry from the Jewish community, so the Pope offered a deal. He'd have a religious debate with the leader of the Jewish community. If the Jews won, they could stay in Italy; if the Pope won, they'd have to convert or leave.
The Jewish people met and picked an aged and wise Rabbi to represent them in the debate. However, as the Rabbi spoke no Italian and the Pope spoke no Yiddish, they agreed that it would be a "silent" debate. On the chosen day, the Pope and Rabbi sat opposite each other.
The Pope raised his hand and showed three fingers. The Rabbi looked back and raised one finger.
Next, the Pope waved his finger around his head. The Rabbi pointed to the ground where he sat.
The Pope brought out a communion wafer and a chalice of wine. The Rabbi pulled out an apple.
With that, the Pope stood up and declared himself beaten and said that the Rabbi was too clever. The Jews could stay in Italy.
Later, the cardinals met with the Pope and asked him what had happened.
The Pope said, "First, I held up three fingers to represent the Trinity. He responded by holding up a single finger to remind me there is still only one God common to both our beliefs.
"Then, I waved my finger around my head to show him that God was all around us. He responded by pointing to the ground to show that God was also right here with us.
"I pulled out the wine and wafer to show that God absolves us of all our sins. He pulled out an apple to remind me of the original sin. He bested me at every move and I could not continue."
Meanwhile, the Jewish community gathered to ask the Rabbi how he'd won.
"I haven't a clue," the Rabbi said. "First, he told me that we had three days to get out of Italy, so I gave him the finger.
"Then he told me that the whole country would be cleared of Jews, and I told him that we were staying right here."
"And then what?" asked a woman.
"Who knows?" said the Rabbi. "He took out his lunch so I took out mine."
Sunday, January 29, 2012
Addition to stash of Audrey Hepburn quotes
“I believe in pink. I believe that laughing is the best calorie burner. I believe in kissing, kissing a lot. I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe that tomorrow is another day and I believe in miracles.”
-Audrey Hepburn
Although this second quotation is not attributed to Ms. Hepburn, it's within the subject of contagious happiness. It's simple but hard to do.
Courtesy of Blissful Quotes
Wednesday, January 25, 2012
Lechonitis & other pleasurable sins
At noon of Chinese Lunar Year, on my way home from a Tibetan Buddhist temple (a first visit), after partaking of the community's vegetarian lunch, I received an SMS from a writer friend, a gourmand down to his funny bone. He was exasperated that he had put too much vinegar into the lechon leavings that he was trying to turn into a paksiw with a brown sauce.
Still full from a lunch of noodles, gluten served a variety of ways, braised veggies and a dessert of Mandarin orange, I gulped and asked, "Anong lasa?"
He answered that it was a mix of adobo and paksiw. I thought I felt the stirrings of acid reflux from the imagined taste of both adobo and paksiw put together.
I warned him how suicidal his diet has become.
His reply: "Yah, I know, but often I feel I am on the home stretch na. Kaya feeling no-foods-barred na :-D"
Well, I told him not to be in too much hurry to leave his mortal coils. An enterprising cook may yet invent fat-free lechon that will take the guilt out of being an unrepentant carnivore in the age of health food consciousness.
Not letting the subject go, he replied again: "I can look for a pig that's fed only vegetables. Will that do?"
I said the Prado Farm in Pampanga raises pigs that are fed arugula leaves. "Organic lechon," they call it, with a whole duck inserted in the pig's belly, then roasted altogether.
I could almost hear him laughing out loud when he texted: "That's a whole new meaning for 'double dead'!" He couldn't stop himself from following up: "Hmmm. Has anyone thought of stuffing a whole roast calf with a lechon stuffed with a duck? Ick! Parang Russian matryoshka dolls. Eeeww, pardon the analogy!"
I got into the spirit, suggesting that this new dish should end with a camaru as only a Kapampangan cook could invent something like that.
Old friend texted back: "Or longganisa of all kinds--Vigan, Baguio, Lucban, Capiz, Tuguegarao. Or even quite logically, balut!"
That's when I decided to put a stop to the whole crazy exchange. I could feel the healthy food I digested regurgitating.
Friend understood my queasiness, and ended the virtual conversation with: "Ok,kaivegan na lang tayo :-D"
Kai-vegan, got it?
Monday, January 23, 2012
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